Writer's FAQ #1

So here's a new series I'll be working on. I call it the Writer's FAQ. I think there are a lot of small questions that never really get touched on in writers books, because they focus a lot on larger topics like Theme and Character and Setting. So I'm going to work on some very specific questions sent to me by our lovely readers or given to me by members of The Milwaukee Writers Workshop.

Q: How do I keep my writing fresh and inventive?

My answer to many questions like this is two-fold: read and write in equal parts.

In all seriousness, though, to keep your writing 'fresh' is to understand what is going on in the contemporary world of the style you're writing. If you're writing science fiction, for example, know what other science fiction writers are writing. That doesn't mean go and buy every new book as soon as it comes out; it just means keep tabs on what's popular, what's pushing the envelope, and who is doing things that impress you. 'Fresh,' to me, means unique, and that means creating your own voice and finding your place in the world as a writer, within the context of your peers.

'Inventive' is a slightly different matter. They're kind of one-in-the-same, but my interpretation of this word is that it means "outside the box." I don't know that this is always necessary, but it's certainly a good way to go. Genres -- of all varieties -- begin to have tropes; it's inevitable. Understanding those standards (tropes) and utilizing them to your best advantage, or in some cases doing away with them entirely, is the best way to make your writing inventive. Understanding takes knowledge, though, so I'll go back to my original statement: read and write in equal parts.


I think some of the most Fresh and Inventive writing comes out of short fiction. So in the next week, go to the bookstore and look for some of the literary journals in the magazine section and pick up one in your favorite genre. See what those writers are doing. See what they're not doing, too, because honestly not every writer is going to speak to you -- even though they got published. That's ok.

If you have a question for the Writer's FAQ, send it to boone@milwaukeewritersworkshop or visit us on Facebook.

Rewrites

I recently encountered a writer -- and I'm a little loathe to use that word, writer -- who said to me that he refused to do rewrites because he felt that a piece ought to be perfect the first time it's written. My first thought was, "Someone has been reading too many parables about Faulkner." My immediate second thought was, "I have no rebuttal." I am going out on a limb here to say that this person is not a writer.

Why? Because rewrites are almost mandatory in our line of work.

I have never had a piece published that didn't require a rewrite. Even "In A Flash" -- a piece that is only 263 words -- got a rewrite to change a whopping six words from the original. If you're a writer who believes in self-improvement, rewrites are almost part of your fiber.

So here are some tips I give to folks at the Milwaukee Writers Workshop who might not be as well-versed in the art of rewriting.

1. Read your piece like a reader. It's a difficult trait to master, but it's essential. Be subjective about your own work in order to create the best possible piece.
2. Keep the goal in mind. Your story should have a resolution; every story needs one. Is your rewrite getting you to that resolution?
3. Don't over-correct: if you find yourself substituting words, put your pen down.
4. Allow yourself time. A lot of times you can spend too long on rewrite a piece. Sometimes put it down and work on another project (or better yet, submit it).

Just a few thoughts on revision and rewriting. What are your thoughts? What's your process?

Strangely Motivated

The Editor-at-Large of Every Day Fiction just got back from Clarion West this past weekend, and I caught up on his blog (after a brief discussion about a rejection I received from EDF - only my second). It got me thinking about the amount of writing I actually produce in a given time.

When I started writing consistently, I was in my sophomore year of college - yes, I said college. I had written a few bits and pieces in high school but only at the mercy of the Muse. When I started writing more frequently, it was more on the pressing of deadlines for classes. Material was spotty at best and rarely worth more than a once-over after it was critiqued.

(I learned something then that I have stuck with since: your drafts (first, second, possibly third) are going to be poor. They're drafts for a reason. So it's ok to produce material that you're not initially pleased with so long as you give it out to others to read, and then polish after. But I digress.)

It also taught me to write when I didn't feel like it, write when I could have been doing other things, and write when it needed to be done. Writing is - and always will be - a job for me. I enjoy it at the same time that it gets on my nerves when I feel like I have to do it. I've set it aside for a bit too long, though, and I haven't really produced anything new in about two months (possibly longer). I feel that I have a lot of good ideas, but it just takes time out of doing things that are a lot less brain-cell-using and fun.

So outside of strapping yourself in a chair and forcing yourself to write, I offer you these bits of advice to get yourself writing on a regular basis - which I will begin to use, too, in conjunction with a program I'm starting with the Milwaukee Writers Workshop.

1. Make a schedule. Even if you only decide to write for an hour a week, make sure you keep yourself to it. It does you no good to set it and not adhere to it. If it's important enough to you, tell your family and friends and ask them to respect it.
   
   
2. Don't self edit. Every writer thinks that they "could've worded that better" and that's fine, but wait until polishing to take that task up. It doesn't help the story when you're first writing it.
   
   
3. Finish the story. They're no good if they're sitting on a shelf, or in a file, unfinished and unable to be read and worked on. So finish them already.
   
   
4. Find a distraction-free space. Everyone is distracted by different things. For me, it's my cats (or computer games, or books). So find somewhere that you know you work well and go there to write.
   
   
5. Critique and Polish. Once you finish the story (and you will finish), give it to a critique group, so they can offer feedback. Then polish it and send it out.